'The Right to Suck': Ex-Rolling Stone Editor Obliterates Karen Attiah's Fake Free Speech Antics
She’s back.
As Amy covered last week,
Karen Attiah, a Washington Post columnist, was fired for her atrocious
social media posts about the assassination of Charlie Kirk in September
2025. Through arbitration, she was ordered to be reinstated to the
payroll with back pay. She has claimed her termination was an affront to
free speech and spoke to the “disposability” of black writers. Yet, as
former Rolling Stone editor Matt Taibbi
noted, this isn’t a First
Amendment issue. She filed a grievance; it was put through arbitration;
both parties agreed to this method of mediation; and her firing or
rehiring wasn’t due to government pressure.
Attiah is a classic race-obsessed columnist, whom Taibbi ran over
with a tank, calling her and the rest of her ilk, the ones who signed
'More Specific Letter on Open Justice and Debate' in The Objective, a
cadre of some of the most useless and talentless hacks wallowing among
major publications. Attiah shouldn’t be silenced; she “has the right to
suck”
Attiah
suffered consequence for what she posted, but the Post’s own speech
decisions with regard to Attiah were also curtailed. The Post doesn’t
have a particularly impressive recent record on speech lately, but
Attiah loved canceling, until it happened to her.
She’s been
consistently unsympathetic toward writers who lost jobs over speech
issues. The classic example was New York Times writer Donald McNeil,
whose firing over “use of the N-word” turned out to be different in
reality. He was asked by a student if it was right to suspend another
student for using the term and replied by asking if it was used as a
slur, or repeated in a lyric or a book title, as Times writers like Paul
Krugman had in print, with the consent of Times editors. McNeil’s life
was wiped out for a conversation that was not intended for publication
and was absurdly misrepresented. Attiah didn’t care and scoffed at the
“fuss.” In the wake of the forced or semi-forced resignations of Times
editorial page editor James Bennet and junior editor Adam Rubenstein,
Attiah upheld the ludicrous notion that publishing an op-ed by Senator
Tom Cotton put “black people and black journalists in danger.”
[…]
In
a Substack column bemoaning her dismissal, she said, “I used my voice
to defend freedom and democracy, challenge power and reflect on culture
and politics with honesty and conviction. Now, I am the one being
silenced — for doing my job.” Her explanations for her dismissal have
evolved over time. Initially, she said she was fired for “refusing to
tear my clothes and smear ashes on my face in performative mourning for a
white man that espoused violence,” but lately she’s said she was fired
for “talking about race,” which is ironic because she was clearly hired
to do that almost to the exclusion of anything else.
[…]
That
Attiah is a hypocrite on speech issues is undeniable, but that isn’t
the first thing that jumps out reading her copy. The bigger issue is
that she sucks. She’s on a short list of the most defiantly unoriginal,
skilless columnists ever employed at a major American newspaper. Her
columns read like first drafts, and her social media posts are full of
gems like, “White women are lucky that we are just calling them
‘Karen’s’ [sic]. And not calling for revenge.” Her columns are just a
micro-step removed from Titania McGrath-type parody of the “Shakespeare
was a black woman. Deal with it" variety, only she’s not in on the joke.
Recommended
Taibbi noted how the winds have changed for the worse, where, at one
time, black reporters were none too pleased to be assigned one beat:
race. Now, it’s all they want to talk about, and it’s made the nation
dumber as a result. Attiah penned some piece about how choosing wall
color was a chore in a white world, or something. Even her etymology
pieces, yes, she wrote some, are laughably off-base, obtuse, and not
grounded in reality for a simple reason: no one uses these damn words:
In
a piece called “Uxoricide: The Word You Don’t Know Because You’re Not
Supposed To,” Attiah explained that she took Latin in school, leaving
her with a “lifelong interest” in etymology. “I have seen a number of
accounts and writers explicitly use the term femicide, and specifically
Black femicide.” She complained that while most people know the term
“homicide” and “suicide,” and may even know patricide, matricide,
filicide, and fratricide, most people have never heard uxoricide, or the
killing of a wife — suspicious!
“I wonder why?” she wrote. “What
does it mean that we don’t use this— or any— specific term that
immediately signifies the specific act of killing one’s wife?”
This
would only make sense if it were true that most English speakers didn’t
know uxoricide but did know matiricide, the term for killing one’s
husband. We don’t use either word, making the premise ridiculous
(especially since we do use femicide and countless other terms, as she
mentioned) but so what, apparently?
Oh, and here's her take on James Arday, the late Cambridge academic who got busted for plagiarism, was as expected:
The plagiarism case against Arday was ironclad; he lifted
so much with so little effort to conceal what he was doing that he made
a mockery of academia. Attiah’s main argument is that Arday’s
“scholarship” was so “impactful” that the thing she doesn’t mention, his
fabulism, didn’t matter. But Arday’s scholarship was essentially a
verbose version of Attiah’s journalism; he repeatedly bemoaned the
“centrality of Whiteness as an instrument of power,” then engaged in
things like racial audits of citations, and didn’t really say anything
else. Still, she says, pointing out that he lied about everything and
stole work from other people amounted to “anti-black terror.” In her
calculus, nothing about Arday mattered except that he was black and
criticized.
She’s a core member for any media bubble,
and that apparatus has placed a stranglehold on liberal America, to the
point where they’re now embracing full-blown communism, illiberal
speech principles, and authoritarian measures to enforce all the above.
No comments:
Post a Comment